
Name: Harry Nilsson, Nilsson Schmilsson (RCA Victor, 1971).
Is this title acceptable? No. It is dumb. But that was done on purpose, because Harry was just like, fuck it, I got Klaus Voorman coming into the studio in a minute, I don't have time for this.
Produced by: Richard Perry, master of ass-shaking '80s R&B (De Barge, “Rhythm of the Night”) and ass-shaking '80s mellow disco with wonderful chord progression and sisterly harmonies (Pointer Sisters, “Automatic”) plus some Captain Beefheart and Joni along the way.
Entered my life: When I entered life. It’s my dad’s record and therefore my record. The benefit of living with a bearded white man who hoards music is that he'll share it with you and talk incessantly about it. Since dad's the model for manliness according to child development theories, I grew up thinking that all men enjoy talking incessantly about music with me (alas, they don't).
Global events at the time of its release: It was November ’71; “Inner City Blues” was number one, and was the third and final single from What's Going On (only 3 singles from that whole album? WTF, Berry Gordy). This was also the beginning of Marvin's red-beanie-and-denim-shirt era, his uniform for talking less about bedroom arts and more about kids in coffins with American flags draped on them.
Difficulty of finding, vinyl-wise (1-10 scale): There was no difficulty in my home, since I just had to walk into the living room to get it, so it was a big fat 0. In the store it's a 1 or 2, I think. Nilsson’s not obscure.
Breaks contained: None! See, sometimes I surprise you. There are some beauties on other albums, though--“Me and My Arrow” was used by Blackalicious and the drums from “Rainmaker” are on the Beatnuts' “Straight Jacket,” a song that kills it based on its gibberish-y chorus (rappening is what's happening, keep your pockets flappening, hands clappening) and because it has Juju bragging that he pulls honeys with the hips. I haven't met him, but as someone with hips I can tell you that yeah, that's true.
Best YouTube comment:
whugivsafuk wins, for this:
“This is the classic FATTEST ever bass line, Herbie Flowers going nuts...(I will soon be having whugivsafuk's baby, as I cannot let a man with such appreciation for fat bass get away)
Sample this shit.”
Facts of nerdy interest that excite me and might show up on Jeopardy! someday:
- Nilsson was from Bushwick. Just like Evil Dee and OC.
- “Jump Into the Fire”* plays during Henry Hill’s coke-y tailspin (the helicopter, the marinara sauce) at the end of Goodfellas.
- Nilsson did the score for Otto Preminger's Skidoo, a movie that everyone says is awful, and then at the end of their diatribe, everyone adds, “but the score is really good.” The end credits are funny because Nilsson sings them. Oh Harry.
- There's hardly any percussion on the album, but Harry makes it count on the few tracks that have some drums by allowing Jim Gordon to get loose and take it to the swamp and then bring it back home (not sure if I've mentioned it yet: “Jump Into the Fire”*). He was a session drummer who worked with Spector and was on Pet Sounds and a bunch of Zappa albums. He also killed his mom, but he was one of the DRUMMERS ON “APACHE” so all is forgiven.
*
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