Tuesday, June 3, 2008

Not Fade Away






Show some goddamn respect, kids!!!
This wouldn't be a story about a legendary Black musician if there weren't details about the industry doin' dirt. Bye-bye, Bo Diddley.















from the LA Times:

He circulated various explanations for the name over the years, but by most accounts, neighborhood kids started calling him "bow diddley" -- slang for "bully." The name also recalled the diddley bow, an African single-string guitar that was seminal to blues music.
By 1954 he was married and a fixture on the local music circuit when he decided to cut a two-song demo of his original songs "Uncle John" and "I'm a Man." Although he usually adhered to the restrained blues style of his hero, Muddy Waters, Diddley based his recordings on the exultant, frenetic music he had been exposed to in the Pentecostal church as a child.

Diddley's panache and swaggering stage presence influenced musicians on both sides of the Atlantic, among them Jagger, James Brown and Jimi Hendrix. Diddley's early use of amplified electric-guitar effects -- including reverb, echo and distortion -- also played an important part in the evolution of the sound of rock music when they were taken to further extremes by Hendrix, the Doors and others.

Blues singer-songwriter Duke Robillard, who covered "Who Do You Love" on an album he released last year, recalls being impressed when the two performed on a bill together 11 years ago. He noted Diddley's mad-scientist approach to tweaking his sound with a customized guitar.

"His guitar had effects and delay built into it so when he'd play a line it would repeat in time with the music," Robillard said last year. "That's pretty futuristic. You wouldn't think of Bo as a guy who could do that electronically. But he had more to him than his one beat."

Until the end, Diddley remained embittered about both his musical legacy and being exploited by the music industry -- he received no royalties from his classic songs until 1989 -- becoming a vocal champion of fair treatment for veteran blues and R&B musicians.

"Have I been recognized? No, no, no," Diddley told the New York Times in 2003. "Not like I should have been. Have I been ripped off? Have I seen royalty checks? You bet I've been ripped off."

The Bo Diddley sound
10:02 AM PDT, June 2, 2008

Here's a list of songs that have the Bo Diddley beat:

The Who, "Magic Bus"

George Michael, "Faith"

U2, "Desire"

Bruce Springsteen, "She's the One"

David Bowie, "Panic in Detroit"

Duane Eddy, "Cannonball"

Buddy Holly/Rolling Stones/Patti Smith (and the Dead!), "Not Fade Away"


Not Fade Away - The Rolling Stones

Johnny Otis, "Wilie and the Hand Jive"

The Stooges, "1969"

Shirley & Company, "Shame Shame Shame"

The Strangeloves/Bow Wow Wow, "I Want Candy"

The Blues Rockers, "Callin' All Cows"

Steppenwolf, "Magic Carpet Ride"

The Guess Who, "American Woman"

The Grateful Dead, "Man Smart, Woman Smarter"

Talking Heads, "Ruby Dear"

Guns N' Roses, "Mr. Brownstone"


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